Solo Exhibition
Kristina Supernova - Possessions and the Concept of Absurdity

26.04-01.06.2024

The concept of absurdity is deeply rooted in existentialist philosophy and explores the tension between human desire for meaning and the apparent lack of inherent meaning in the universe. Absurdity arises from the clash between human longing for order, purpose, and rationality and the chaotic, inherent nature of existence.

The exhibition ‘Possessions and the Concept of Absurdity’ delves into the complex relationship between materialism, existentialism, and the pursuit of possessions.

In a world where possessions often symbolize status and success, existentialist philosophy challenges us to confront the inherent absurdity of human existence. To emphasize these thoughts, the book Steppenwolf from Hermann Hesse appears in the exhibition of Kristina Supernova. "Steppenwolf" is renowned for its lyrical prose and philosophical depth, offer readers a profound meditation on the nature of self-discovery and the quest for authenticity. The inner conflict of the main character mirrors the existentialist challenge to find meaning and purpose in a seemingly chaotic and meaningless universe.

In her work, Kristina explores the concept of possessions through various forms. At the heart of the exhibition stands the painting titled "Belongings of Persona". This evocative piece portrays a disrobed suit alongside a pair of boots, inviting viewers to contemplate the significance of ownership and identity through fashion.

Notably, within the artwork "Belongings of Persona" the appearance of Hermann Hesse's work,"Steppenwolf," adds an additional layer of depth and complexity. Kristina invites audiences to engage with the nuances of possession and the profound questions surrounding identity and belonging. As viewers immerse themselves in the imagery of "Belongings of Persona" and the broader exhibition, they are encouraged to reconsider their relationship with material wealth, identification, and their individual pursuit of happiness.

In the painting "Persona, who Got a Dog as a Desired Present" the dog owned by the persona raises a new question: Can we really own living beings? This makes us think about how far our idea of possession goes, especially when it comes to animals. The painting encourages us to think about not only what itmeans to possess something but also about our connections with other living creatures and the moral questions that arise from those connections.

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